***
From
the beginning of storytelling time (or at least back as far as Edgar
Allen Poe), there has always been that one villain that is so utterly
unhinged, so deranged, so apathetically mean, that their actions,
regardless of the payoff at the end, are cruelly random and
absolutely unreasonable.
These
characters, as TV Tropes so eloquently phrases it, are doing this
“for the evulz”.
Ya don't fuckin' say... |
This
portmanteau of “evil” and the internet slang “for the lulz”
basically means “I don't need a reason to do what I'm doing, I'm
evil. Suck my dick. And this stick of dynamite.” Kinda like the
Trump presidency. Fuck you, Trump.
We
have to bear in mind that this doesn't have anything to do with a
similar trope in which the character just does something because it
amused them (see the home invaders in The
Strangers).
In this case, the character is in full fucking possession of their
morality and they deliberately choose to perform acts of evil based
on that trait alone. One more time for the folks in the back, the
Trump presidency, ladies and gentlemen.
And whoever made this piece of trash. |
Whether
or not the character gets any actual enjoyment out of their actions
is also questionable. They don't NEED to enjoy dangling your scrawny
ass over a shark-filled aquarium with a laser pointed at the rope
holding you there while waiting for whichever tights-clad paragon of
fucking virtue (nerd) to show up and rescue you, but it's sometimes
nice, I suppose. No, they do it to inflict their own suck-ass life
on you to share the pain. They do NOT give a shit if their actions
hurt them, too.
There
is also a sub-trope of this where the villain is an actual
personification of evil. That's where we're looking at characters
like the Loc-Nar (not a person but sentient, it counts) from Heavy
Metal,
Evil (yes, that's really the name of the character, thank you David
Warner and Terry Gilliam) from Time
Bandits
and, in a kind of lame-ass attempt to explain how he comes back every
few years to torment Jamie Lee Curtis, Michael Myers from Halloween.
Nui Harime from Kill la Kill, ladies and gentlemen. Shoot on site. |
Now,
as I said earlier, this trope does go back to at least Edgar Allen
Poe. The
Black Cat
gives us a protagonist who hurts people and animals out of the
“spirit of perverseness”. This didn't just extend to the people
and animals he harmed, it also encompassed himself. He just didn't
care and was driven to do things that he KNEW were wrong and did them
anyway, seemingly out of pure spite. He hanged the titular kitty
because “I knew that it had loved me, and because
I felt it had given me no reason of offense; hung it because I knew
that in so doing I was committing a sin “
But
we also have characters like EVERYBODY'S favorite Batman rogue, The
Joker. Not only does he do things specifically because they're funny
but he tries to wax all philosophical about it and shit. In The
Killing Joke
(now an animated feature), he (SPOILERS, BITCHES!) shoots Barbara
Gordon (AKA Batgirl), paralyzes her, and kidnaps Commissioner Gordon,
strips him naked (Well, hello, Daddy...), and tortures him with
photographs taken of Barbara's broken, nude, helpless body. It's
assumed that J-man raped her but that's not canon. Why did he do
this? Because it's fun AND because he wants to prove that all it
takes is one bad day to utterly ruin your life and make you take the
short bus to cuckoo-town.
And
in video games, we have the myriad of games wherein you, the player,
get to decide if you're going to fight on the side of the angels or
wreak havoc because you can. Infamous
is pretty much the forerunner, here.
In
horror specifically, we do have the aforementioned Michael Myers
(although he doesn't seem to enjoy it, he DOES take the time to
artfully display his victims like some kind of demented Macy's window
dresser) but we also have such interesting characters as The Captain
in Byzantium
(who
seems to just like raping little girls and sending them off into
slavery), The Gremlin in Twilight
Zone: The Movie (and
the television episode Nightmare
at 20,000 Feet)
who just wants to destroy the plane because it's all kinds of fucking
funsies, and the Indomitus
Rex
from Jurassic
World who,
for all intents and purposes, is a giant, dinosaur sociopath. It
hunts for sport, unlike the other big bads in the previous
installments.
SURPRISE, MOTHERFUCKERS!! |
This
trope is SUPER fun but it can also go down some idiotic fucking
roads. If you play it too far one way all you have is a cackling,
petty, dumb-ass super-villain that's too stupid to live (and won't...
because they're stupid). If you don't play it up enough, all you get
is “Doomsday Guy”. Laziness is usually the cause, here, and it
tends to happen in sequels because, as mentioned in the my first
book, screenwriters do not understand the care and feeding of cash
cows. I find that smacking them with a newspaper generally gets them
to stop shitting all over the paper.
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